Poetry. Paper, perfect bound, 81 pp.
$14.95 plus s&h
2011, ISBN 978-1936419-029
In response to the unexpected death of her sister Katharine Washburn, Mary Winegarden has taken on the challenge of translating their lives into living language. Using phrases from Washburn’s work as her foil, Winegarden creates a moving meditation on the bonds of sisterhood. Crossing boundaries between prose and poetry, fiction and memoir, convention and experimentation, The Translator’s Sister resonates with the intimacy and humor of remembered details, with loss translated into art. This shimmering conversation will sweep you in.
Mayapple Press is pleased to announce that Mary Winegarden’s The Translator’s Sister has been awarded an American
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After The Firestorm – Susan Kolodny
Poetry. Paper, Perfect Bound. 62pp.
$13.95 plus S&H
2011, ISBN 978-1-936419-07-4
Susan Kolodny draws on her work as a clinical psychoanalyst in her first collection of poetry, After the Firestorm. Kolodny’s evocative style arises from an imagination both sensory and analytical. The poems suggest the unity of love and suffering, and walk a difficult line between the pleasures of the physical world and its dormant, invisible dimensions. Kolodny is a brilliant observer of nature, at once attentive and inquisitive, whose haunting questions provide a starting point for her lyrical investigations into the losses and traumas we all experience.
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Janet Planet – Eleanor Lerman
Fiction. Paper, Perfect Bound. 208pp.
$17.95 plus S&H
2011, ISBN 978-1-936419-067
“Janet Planet” by Eleanor Lerman is available in a Kindle edition. Click here to download from Amazon
Janet Planet is a unique work that attempts to showcase the young and rebellious spirit of a Woodstock generation that eventually grew up-and away-from those glorious hippie days. In the novel, Janet Harris-known as Janet Planet-is the reader’s guide into and out of the psychedelic years as she joins Jorge Castelan (a fictionalized Castaneda) and his circle of women and
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Trade Paperback. 100pp.
$15.95 plus S&H
2011, ISBN 978-1-936419-05-0
“Nothing More to Tell” by George Dila is available in a Kindle edition. Click here to download from Amazon.
Nothing More to Tell brings together short stories that reflect the combined effects of history, family, and society on the men and women of Michigan’s small towns and big cities. Dila’s prose presents us with a view of middle-aged, middle-class men that is at once ruthlessly honest and understanding. Their lives are tightly woven chains
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Poetry. Paper, perfect bound, 84 pp.
$14.95 plus s&h
2011, ISBN 978-1936419-036
Stacie Leatherman’s dynamic poems inhabit the cusp between the domestic and the utterly strange. To read them is to travel where we haven’t been before, where things seem lost or on the verge of disappearing. To make something from nothing, out of the pure air of imagination, but to make it so sensually, emphasizing touch, creating a world of things to fill the air, a world of tumbling metaphors and images, is the essence of this superb book where every word is a metaphor for something unsayable. Leatherman is always probing, uncovering and discovering, and she understands that surrealism is a mode of restless thought, not a mere program. When you open
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Illustrations by Erica Kriss
Poetry. Paper, perfect bound, 92 pp.
$15.95 plus s&h
2011, ISBN 978-1936419-005
Also available in laminated hardcover.
$24.95 plus s&h.
Howard Schwartz is a contemporary master of the parable, the short lyric and the tale. In Breathing in the Dark, he has multiplied his dreams, his myths, and his stories into poems that grow quietly and firmly from the secret root stock of his imagination. That side
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Poetry. Paper, perfect bound, 78 pp.
$14.95 plus s&h
2011, ISBN 978-0932412-997
Paul Dickey’s poems demonstrate perfectly how irony and wit can serve as little bits of salvation in a world that may not be entirely against us, but isn’t much for us, either. The poems in They Say This Is How Death Came into the World are full of sly twists and turns, surprising nuances, and witty insights. At once profound and mischievous, wicked and accurate, serious and comic, they offer a reflection of reality that appears at first glance to be a fun-house mirror. Whether it’s a poem about (or around) Mark Rothko’s painting Yellow Band or a prose poem about “Mowing the Lawn” that pauses
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Poetry. Paper, perfect bound, 70 pp.
$14.95 plus s&h
2011, ISBN 978-0932412-980
The poems in No Eden merge the landscapes of a rainy girlhood in the American South and the mythic world of Noah and the Flood. In these poems, a backyard stretches between a mother and daughter–the lessons of “distance tender and biblical.” The Carolina yard opens to hold the fruits of Eve and Lilith, the flight of Noah’s raven and dove, the small terrors of curbs and classrooms. These are poems of a “family awake through a storm,” an intimate theology of floods, loss, and betrayal.
No Eden by Sally Rosen Kindred reviewed at New Pages
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Naked Woman Listening at Keyhole – Sophia Rivkin
Poetry. Paper, perfect bound, 44 pp.
$13.95 plus s&h
2011, ISBN 978-1936419-043
Sophia Rivkin’s poetry simmers with visceral energy and surreal leaps. It is made of the dark soup of her Russian heritage, the light broth of her word play, and the sustaining whimsy of her artist’s eye. If language—in a well-chosen epigraph for the title poem—covers our nakedness, Rivkin’s lively lyrics both clothe (comfort, celebrate, ameliorate) our struggles and unwrap the hard truths within. Naked Woman Listening at Keyhole contains comedic elements marked by Rivkin’s trademark wit and surprise, even as it reveals the unerring heart of a poet who can take
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